In case anyone in Washington hasn't noticed, Americans are fed up with the status quo. In this, the first shot fired over the bow of the 2004 Presidential election, Michael Moore aims to unseat the man who slithered into the White House on tracks built by the bloody hands of Enron and greased with the oil of his daddy. As if an unelected, semi-literate president weren't problem enough, America's Democrats have managed to take the liberty out of "liberal," signing on with the G.O.P. for dirty corporate money and the ill-gotten gains of globalization. The "left" is just as satisfied as the right to stand idly by as the chasm between the haves and the have-nots grows wider and wider. Thank god for Michael Moore because DUDE, WHERE'S MY COUNTRY tells us precisely what went wrong, and, more importantly, how to fix things. In a voice that is fearless, funny, and furious, Moore takes readers to the edge of righteous laughter and divine revenge.

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Amazon.com Review

he people of the United States, according to author and filmmaker Michael Moore (Bowling for Columbine, Stupid White Men), have been hoodwinked. Tricked, he says, by Republican lawmakers and their wealthy corporate pals who use a combination of concocted bogeymen and lies to stay rich and in control. But while plenty of liberal scholars, entertainers, and pundits have made similar arguments in book form, Moore's Dude, Where's My Country? stands out for its thoroughly positive perspective. Granted, Moore is angry and has harsh words for George W. Bush and his fellow conservatives concerning the reasoning behind going to war in Iraq, the collapse of Enron and other companies, and the relationship between the Bushes, the Saudi Arabian government, and Osama bin Laden. But his book is intended to serve as a handbook for how people with liberal opinions (which is most of America, Moore contends, whether they call themselves "liberals" or not) can take back their country from the conservative forces in power. Moore uses his trademark brand of confrontational, exasperated humor skillfully as he offers a primer on how to change the worldview of one's annoying conservative blowhard brother-in-law, and he crafts a surprisingly thorough "Draft Oprah for President" movement. Refreshingly, Dude, Where's My Country? avoids being completely one-sided, offering up areas where Moore believes Republicans get it right as well as some cutting criticisms of his fellow lefties. Such allowances, brief though they may be, make one long for a political climate where the shouting polemicists on both sides would see a few more shades of gray. Dude, Where's My Country? is a little bit scattered, as Moore tries to cram opinions on Iraq, tax cuts, corporate welfare, Wesley Clark, and the Patriot Act into one slim volume--and the penchant to go for a laugh sometimes gets in the way of clear arguments. But such variety also gives the reader more Moore, providing a broader range of his bewildered, enraged, yet stalwartly upbeat point of view. --John Moe

From Publishers Weekly

Although it's curious that Moore (Stupid White Men) chose not to narrate his latest indictment of the conservative right, Morin does an admirable job of conveying Moore's ideas and subtle (and not-so-subtle) wit. At first, Morin's performance seems well-meaning yet stiff, much like the child voices of the Charlie Brown TV specials—very clear but with the unnatural cadence that comes from reading a script. As time goes by, however, he grows more relaxed with the material. By the final disk, it's obvious why Morin was chosen for the job. Between Moore's text and Morin's loosened-up delivery, listeners can almost imagine that they are hearing Moore's own voice. In any case, Moore's message is clear: he believes America is being hoodwinked by George W. Bush. Bush's goal, he says, is to use our fear of terrorism to push through his own agenda, as well as the agendas of his rich friends and supporters. Moore makes provocative connections between the Bushes and the Bin Ladens and even the Bushes and the Taliban, but the one drawback of this audiobook is the lack of references. While the book form of Dude is heavily footnoted, Moore points listeners to his Web site for his sources, where finding specific information can be difficult.
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